• Minor Keys No. 2

    So, the first significant minor character we meet in Azimuth is the High Priestess who is the first woman to influence the thinking of the young Magus. It is she who drugs him, changes him momentarily into a woman to give him the experience of motherhood and the realization that the world he inhabits is… Know More

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  • Minor keys No. 1

    I thought I would take a break from writing directly about writing. 50 blogs is quite sufficient for the moment and they are all there for the interested reader. What I intend to take their place results from the comment of a keen follower of Azimuth who, a bit like the fanatical fan of the… Know More

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  • The Art of Writing No. 50

    I suspect that writing is changing and I don’t mean the usual changes that occur over time such as the treatment of taboo subjects or social observation or Joycean playfulness with words. The coming generations will not be wedded to the printed word or screen-based text in quite the way I was for most of… Know More

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  • The Art of Writing No. 49

    Time and continuity are essential ingredients in books and films unless the author or director is setting out deliberately to play with our daily conceptions of the its passage. So the film Memento travels backwards in its plot, and Pincher Martin by William Golding envisages the entire action in the novel being the last few… Know More

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  • The Art of Writing No. 48

    The Inspector is a play about the conflict between a dynamic artistic culture and that form of philistinism perpetrated upon the citizens of a country by the social engineering of governmental policies based upon skills, league tables, labour fodder and bottom line accounting.  Although it is yet to be performed on stage it has had… Know More

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  • The Art of Writing No. 47

    It came straight through my brain without touching the sides my common response to questions about how I wrote Azimuth. Ten years may see forever even for a big novel but then life seems forever until suddenly your candle starts to flicker and then gutter. The psychology of spending a decade on a book, albeit… Know More

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  • The Art of Writing No. 46

    I’d like to continue the refrain of Jack Sanger good, Jack Sanger not bad which I began in the last blog. It was in answer to the question I posed myself after my illustrious writer friend opined that I maybe should not deign to build a central character who is a successful writer. My first… Know More

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  • The Art of Writing No. 45

    Taking up the theme from blog 44, I’d like to enlarge upon this notion of the ego of the writer – or my own ego in particular! Having been a professor in my last but one incarnation (teacher, social worker, PhD student, researcher, chair in management research and management consultant) I probably have a different… Know More

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  • The Art of Writing No. 44

    I spent the weekend with a writer, internationally well known and a long time close friend. We discussed my novella Through a Mirror Clear: a Gothic Love Story, at some length. He had read it twice and made notes on it. It was the kind of experience most writers crave, if they are not too… Know More

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  • The Art of Writing No 43

    I have just finished reading a couple of Joseph Conrad novellas; Heart of Darknessand Youth. What strikes me as instructive for the aspiring writer in both of them is how Conrad’s knowledge of the sea and the technology of ships, albeit in the early days of metal hulls and mechanical navigation, becomes a kind of… Know More

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